Back
Compositional theory in the eighteenth century cover
1992•355 pages•Published•ENG•User Reviews

Compositional theory in the eighteenth century

5.0/ 5
1 ratings

About This Book

"This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven."--BOOK JACKET. "While giving preeminent theorists their due, Joel Lester also examines the works of over one hundred eighteenth- and seventeenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen; Rameau's harmonic theories and Mattheson's views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues - Haydn's careful study of Fux's treatise, Mozart's instructions on harmony to his composition students, Beethoven's own student exercises."--BOOK JACKET. "The links between various theoretical traditions, the pervasive influence of Rameau's harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstood today. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music."--BOOK JACKET.

Track Your Reading

Sign in to save this book, track pages, log finished reads and rereads, and build your Reading Diary.

Sign In

Community Reviews

Reviews

Browse all reviews →
Sign in to review

No reviews yet. Be the first.

Music theoryComposition (Music)HistoryMusicTheoryComposition (language arts)Music theory, history, 18th centuryHistory and criticism

The Swinging Light

Book Details

First Published

1992

Pages

355 pages

Rating

5.0 / 5

Ratings

1

Editions

3

Publisher

Harvard University Press

Language

ENG

Status

Published

The People Behind The Book

Authors

You May Also Like

Recommended Books